This year’s metal festivals in Norway did not disappoint with promising lineups and excellent organisation. Beyond the Gates was no exception to this.
Visiting the gorgeous city of Bergen once again and getting to see bands such as Taake, Satyricon, 1349 and Enslaved was the perfect way to end this year’s summer festival season.
This year’s metal festivals in Norway did not disappoint with promising lineups and excellent organisation. Beyond the Gates was no exception to this.
Throughout the years, Ulver and the mastermind behind the band, Garm, have broken the boundaries in music and proven that ‘black metal’ and ‘metal’ labels can easily become too limiting.
How’s the live experience of the band’s music then? On my way to the Circus I was more than curious to see the ever-changing legends of Ulver onstage…
Two flights, three bus rides and a ferry crossing might not be the simplest way to get to a festival, but Karmøygeddon was an event worth every moment spent on traveling.
The lineup was promising to say the least, and the harbor area in Kopervik, where Karmøygeddon Metal Festival was held, could only be called gorgeous.
As summer inevitably crawls closer, cold and harsh black metal is the best way to spend an evening in withdrawal from the sun. Especially if the performing band is none other than the legendary Taake from Bergen, Norway.
My expectations were high, and the closer it was to the show, the more impatient I was getting. But fast-fowarding ahead, the gig fulfilled all my expectations to say the least, so it was definitely worth the wait.
Just like during their last show in Helsinki, Taake were supported by Finnish bands; this time the warm-up acts were Väki from Tampere and Hexhammer from Helsinki.
Väki could be described as your typical opening band: slightly repetitive but far from boring, their set helped the audience to immerse in the mood of the black metal evening. Even though the sound suffered at first, it improved throughout the gig and the vocals were made more audible. Though the venue was still far from crowded, the audience was already clearly having a good time.
After the sinister pagan metal atmosphere Väki created onstage, Hexhammer brought forth their black ‘n’ roll vibes to Korjaamo. The gig’s overall ambiance was not really something one could expect as a support to Norwegian black metal, nor was it something I would usually listen to – and such a change from what I mostly listen to was an interesting one. One of the best things about Hexhammer’s gig was the bass lines, audible and powerful throughout the gig.
When the opening bands were done, the long-awaited headliner made sure to mesmerize the crowd with an aggressive black metal storm.
Not every black metal gig includes such intense interaction with the audience. Well, Taake’s gig did and Hoest, the mastermind behind the band, had seen to it. With the dedicated (one could almost say: possessed) frontman handing the mic out to the audience, giving fist bumps, holding fans’ arms (or almost hugging them) and more of the like, the gig was literally in-your-face.
The eerily melodic intro which preceded “Jernehaand” from the newest album opened the show. And what a show it was… Taake drenched Korjaamo in northern darkness at its finest.
If the first song hadn’t gripped the crowd yet, “Nordbundet” surely did. The song from Noregs Vaapen, stunning as it is on the album, was an experience beyond words played live.
The night went on with “Bjoergvin IV” from the early material. A classic from the album of the same title, beginning with roaring black metal cacophony and moving smoothly to a far more melodic part, was just as perfectly balanced as the Norwegian masters can do. “Inntrenger” was to be played next, and the Kong Vinter madness didn’t end there, and “Havet i Huset” with its incredibly danceable passage rocked the hell out of the venue. It could be seen also among the enthusiastic crowd, who were clearly having a great time.
“Orm,” the only song from Stridens Hus which had been played that evening, ensured the setlist included works from all of Taake’s discography. After all, the band has been around for 25 years, which Hoest didn’t forget to mention. In light of recent controversies, a cancelled US tour and the Stockholm gig being moved to a secret location, the frontman made sure to praise the Finnish attitude as well. Those who were at the gig surely remember both the musician’s words of approval and the cheering audience appreciating his words.
The first song from Taake’s debut album was left for the end – “Nattestid I,” more melancholic than the band’s latest material, made just as great of an impression as more aggressive songs from the newer albums.
With the set drawing to a close, “Doedsjarl“ could be heard. This song from Taake’s self-titled album sung by Hoest and the bassist V’gandr was definitely one of the concert’s highlights. And the evening’s last song was “Myr,” unmistakable with its banjo solo. With the setlist stretching to 12 songs and the concert lasting nearly an hour and a half, the Taake gig was entertaining beyond words as well as professional and delightfully dark.
Full photo gallery by Marco Manzi here.
Auðn were among the bands I was most looking forward at Inferno Festival and I was lucky enough to get to interview them. With Auðn‘s second album Farvegir Fyrndar being released last November and more and more festivals coming up (including the Icelandic Eistnaflug [which I’m planning to visit for the first time this year], the band’s vocalist Hjalti Sveinsson and guitarists Aðalsteinn Magnússon and Andri Birgisson give more insight into the visuals behind Auðn‘s music, atmospheric mood and why writing lyrics in Klingon might be a good idea.
ENSLAIN: Starting with the basic questions, how’s Inferno Metal Festival 2018 going so far?
Alli: Great, everything’s been alright. It’s second time in a row, we played last year as well, so this time everything was more familiar and you get to know more people.
Hjalti: We’re getting to know a lot of people around, a lot of familiar faces.
Alli: Great atmosphere and great bands as well.
ENSLAIN: Now, if I remember well, Hjalti and Andri, you’ve been at Icelandic Film School, and I was wondering if the background you have has influenced the visuals of the band – from album covers through to artwork and even to your stage outfits?
Andri: We always have the visual way of creating music, or at least I have. I like to ‘see’ a song when I’m trying to write it.
Hjalti: The look came about to be a bit of a minimalistic approach to let the music speak for itself. So the music itself, I think, is a bit visual. Earlier we were working with more of juxtaposition of melting together the harsh ugliness of black metal with beauty of melodies. We kind of did it with the look – that’s when the jackets came in – but we were still experimenting with corpse paint. But we kind of simplified that.
Alli: Don’t google those pictures.
Andri: …now we know what pictures she will google.
ENSLAIN: So it’s been mostly minimalistic, but there’s also a cinematic approach to it.
Alli: I like to look at the whole picture as pretty cinematic. The atmosphere in the music – it’s the whole thing. To me, it feels a bit cinematic.
Hjalti: It’s also the way we think about how the album works. We don’t just put songs together, every song has to serve a certain purpose and it has to be in the right spot in the album.
ENSLAIN: The atmospheric feel to your music creates a certain space the listener can get lost in. Was it one of the goals for the listener?
Alli: Yeah, that’s what I do with this music – get lost in it. I’m really happy with the reception we are getting on both these albums. People basically describe what I was trying to do with music and I think we all achieved this goal.
Hjalti: I think we managed to do what we were trying to do. Especially with the second album we let the songs ‘breathe’ more, vocals are also a bit different, so the atmospheric part of it was definitely something we nurtured a bit more.
Alli: The first album was more structured to the rhythm with more folk elements, maybe.
ENSLAIN: Another important aspect of your music is your beautiful language. What role would you say Icelandic plays in the music you write?
Alli: It started with me writing lyrics in Icelandic; all the lyrics I write are in this language. I’m used to thinking in Icelandic and it’s easier to express.
Andri: And in the first album we used more of songwriting on certain rules.
Alli: Yeah, we follow the old Icelandic rules very vaguely, but elements are there.
Andri: It creates a certain rhythm in lyrics when you write them like that.
Alli: When you master the form of writing that, it makes it really easy to find the next sentences and to express what you’re trying to say.
Hjalti: I think the first album was a bit more traditional in that sense.
And for me, I have a tendency to express myself over music in English. I rarely ever listen to Icelandic music so when I’m thinking of stuff we’re working on, it’s usually in English. So for me to do it in Icelandic was a big challenge. But with a new album, I think I distanced the vocal patterns from the traditional styles we used more on the first album.
Alli: Honestly, the phrasing isn’t Icelandic at all in many of the lyrics of the new album. Lyrics are, of course, in Icelandic, but the way they are presented is not the traditional one.
Hjalti: It’s more chaotic. I wanted to express the feelings not in the way I think of them but more in the way they would fall into the song and the rhythm. Every language has its different style of songwriting. You’ll hear music with a language you don’t know which is the situation for most people hearing us and that instantly is different. A lot of Norwegian bands are now doing the lyrics in English; we might still do it one day, I don’t know, but that definitely gives the unique touch, I think.
Alli: There are not that many people from Iceland, so…
Hjalti: Yeah… I actually think more people speak Klingon than Icelandic.
Andri: So if we want to reach out to more people, we should release the next album in Klingon.
Alli: And also, with playing this kind of music, unless you have the lyrics in front of you, how much of it would you understand?
Hjalti: It’s about expressing the feelings.
Alli: It’s about expressing the feelings and, as you’ve said, the way you experience it. That way we know the message is being delivered. It doesn’t have to be the lyrics, you don’t necessarily need to know what the lyrics are about, it’s about expressing the feeling. Because the lyrics are about that as well.
ENSLAIN: Did the lyrics shift from more traditional themes with a black metal spirit to song lyrics which are more poetic, then?
Alli: Yes, the first album drew inspiration from folk tales, maybe more in the way of traditional Icelandic storytelling. On the second album, it’s more about creating imagery for landscapes or emotions related to that and trying to paint the whole picture with the song.
ENSLAIN: I know it’s a general question, but would you say something on the difference between festivals you’ve played at? What’s special about Eistnaflug in your home country or what were the differences between Inferno this year and the last year?
Alli: There’s always a difference.
Hjalti: You can’t really compare Eistnaflug to other festival.
Alli: No… that’s special.
Hjalti: In some ways you can, of course, it’s a festival, but…
Andri: I think it might have similarities with Roadburn in a way.
Alli: In a way…
Hjalti: In a way, but still, it’s not Roadburn.
Alli: Every festival has its identity or at least that should be the goal. If it doesn’t have identity, you shouldn’t have a festival. Every festival is different, depends what aspects you think about. Each festival has its own spirit.
ENSLAIN: Related to the Icelandic scene, with black metal bands emerging and events such as Oration festival where you also played this year, what do you think the future holds for Icelandic black metal?
Hjalti: Hopefully, there’s gonna be some younger kids who will start playing in a band…
Alli: We can’t speak for the whole scene, of course, but I think that’s the most important thing, to not forget to play frequently. We were discussing it with the rest of the Icelandic people here, the Eistnaflug crew and also the guys from Naðra, how important it is to keep playing shows at home as well.
Hjalti: And to all ages audience, especially.
Alli: Yeah, because that’s how we got into metal: seeing shows and seeing the older guys playing in the bands.
Andri: If someone keeps carrying the torch, then we have a future ahead.
Alli: I think that was kind of a turning point when you had this really strong string of releases from Icelandic bands. The scene is really strong with many bands and all of them released their first album. Some of them, like us, have just released their second album, and I just think we need to see which bands are going to continue and which bands are just going to fade away. And what happens next, I’m not sure. Hopefully good things, but…
Hjalti: No one knows, but there’s a lot of excitement around what will Misþyrming do next, what will Naðra do next, it might be that you have to ask them. But it’s not that many guys forming all of these projects. I get this feeling that they always want to do something new, so there might be just new projects from them.
Alli: And that has already started, probably hundreds of bands, and that’s also a part of expression if you keep writing music and you feel that the music isn’t fitting the criteria of the direction you’ve created for your project, then you still want to get it out. What do you do? Do you ruin the reputation of your band or do you do another project? It’s always a question of staying true to yourself, I think. And doing what you want to do, that’s black metal.
ENSLAIN: Thank you for your time and for such thorough answers. Sjáumst á Eistnaflugi!
Read the full festival report from Inferno Metal Festival 2018 here:
With four days of black metal, music conferences, art exhibitions and much more, Inferno Metal Festival Norway has sounded like one of the most intriguing metal festivals in the Nordic countries for me.
And it was more than exciting to find out that this year I’m going to attend the event too!
Let the chaos begin
The month of death calls for a proper festival. What could work better than two days filled with metal’s most extreme genres? Last year lacked such an event, and this year definitely didn’t disappoint with its obsidious offering of SteelChaos. With the announced lineup reaching from raw through oldschool black metal and extending to a few death metal groups, the festival looked extremely promising. Continue reading
When it’s cold and when it’s dark, the freezing moon can obsess you…
Regardless of many who would prefer Mayhem to end with the death of its former frontman and of the even larger group of people complaining about Attila Csihar’s emotion-loaded performance, De Mysteriis Dom Sathanas in its entirety was a gig I didn’t want to miss.
Another very positive side to Mayhem’s October performance in Nosturi was the autumn mood at its best: misty mornings of the last months of the year, evenings getting colder, deathlike trees and the northern landscape looking wonderfully grim. Continue reading
Interview with Vogg by Lady Enslain
Enslain: How are you? It’s been a while!
Vogg: Still drunk from yesterday! But ok, very cool! First show, in Lithuania, very cool!
Enslain: So today you’re in Latvia… how’s the tour been so far?
Vogg: Today is the second show, so, you know, I can’t tell too much, but it seems to be that the tour will be killer! All the bands know each other since many many years. It’s like a vacation with friends, seems that we will have a really cool time! I’m excited about Vader and Decapitated, it’s really cool that this happened, finally!
Enslain: Are you excited about coming to Finland for the first time?
Vogg: Yeah, yeah! That’s one of the best things about this tour! I don’t know how it happened, but we’ve never played in Finland before, which is actually from one side really cool, so I don’t know what to expect, but I think it will be killer! I know lots of people, the guys from Children of Bodom, from Medeia, Rotten Sound, I know some of them will come to see us, and… I’m very excited… after 20 years of Decapitated, we will play Helsinki, Finland, that’s awesome as fuck!